forked from mmistakes/minimal-mistakes
-
Notifications
You must be signed in to change notification settings - Fork 0
/
index.html
290 lines (180 loc) · 17.2 KB
/
index.html
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
---
layout: home
author_profile: false
classes: homepage
---
> Jérémie Wenger is a Swiss writer and programmer based in London. His practice explores the intersection between literature, constraints and generative processes, as well as the consequences of the rise of Artificial Intelligence on literature and the self.
Excerpts from *Chains*, forthcoming in [TILT](https://www.tiltedhouse.org/tilt) 0005, 2024, (eds: [Henry Goldkamp](https://www.henrygoldkamp.com/), [Nam Hoang Tran](https://namhtran.carrd.co)).
Excerpts from *Chains*, forthcoming in [Vernacular](https://www.vernacular.website), 2024.
Excerpts from *Lacanage*, published in [Strings](https://stringsmag.com/strings-2-jeremie-wenger) 2, 2024, (eds: [Alex Aspden](https://alexaspden.com/) & [Alex Keramidas](https://www.instagram.com/alexandrakera/)).
Nik Papageorgiou, [*Large Language Models feel the direction of time*](https://actu.epfl.ch/news/large-language-models-feel-the-direction-of-time/), EPFL, 2024.
"to begin with...", from *Artificial It*, published in [GRASS](https://grassmagazine.bigcartel.com/product/grass-magazine-issue-4-summer-2024), issue 4, 2024. Editor: [Tommy Sissons](https://www.instagram.com/tommyfredsissons/), [@englishgrass](https://www.instagram.com/englishgrass/)
*Cubes*, constrained writing on cubic surfaces, inspired by Ilse Garner's "Puzzle-Alphabet" (2010), presented at [*Manifold*, an Electric Gold exhibition](https://www.instagram.com/p/C8wvTxLIllM/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==) showcasing the wide variety of original work by the staff and alumni from Goldsmiths' renowned Computing department, 2024. p5.js/JavaScript/Python
[*Départs*](departs) presented at the symposium: [3ai.24: Art in the Age of AI](https://3ai-24.sciencesconf.org/program?lang=en), Corfu, Greece, 2024.
*Wellung III a*, [ToCall No. 20](https://pswgallery.tumblr.com/post/752902286002487296/tocall-no-20-ruth-wolf-rehfeldt-died-on-february) ([contributors](https://pswgallery.tumblr.com/post/752902903879041024/tocall-no-20-contributors), [shop](https://www.psw.gallery/product-page/tocall-no-20)), 2024. A visual/generative tribute to [Ruth Wolf-Rehfeldt](https://en.wikipedia.org/wiki/Ruth_Wolf-Rehfeldt) (1932-2024). Editor: [petra schulze-wollgast (psw)](https://www.psw.gallery/). p5.js/JavaScript
*Gonograph*, 2024. Polygonal constrained writing & dedicated web text editor. JavaScript
[*Machines Poétiques: Introducing textual systems through experimental French poetry*](https://github.com/jchwenger/machines.poetiques.goldsmiths.2024), 2024, Goldsmiths College, London. One-day computational poetry workshop with [Iris Colomb](https://iriscolomb.com/). p5.js/JavaScript
With [Vassilis Papadopoulos](https://scholar.google.com/citations?user=4o52I2oAAAAJ&hl=en), [Clément Hongler](https://scholar.google.com/citations?user=p9B6eWEAAAAJ&hl=en). "Arrows of Time for Large Language Models", 2024. A study on the probabilistic modeling performed by Autoregressive Large Language Models through the angle of time directionality, arXiv preprint
*rebut\|robot*, 2024. Pipeline de filtrage et de réécriture de datasets autour du thème du déchet utilisant le *Siamesor* (« Siamoiseur ») pour le [Projet éditorial Arkhaï](https://arkhai.com/). Shell/Python
Three *Squares* published by [Pamenar Online Magazine](https://www.pamenarpress.com/post/j%C3%A9r%C3%A9mie-wenger), 2024. Editor: [Khashayar "Kess" Mohammadi](https://www.khashayarmohammadi.com/)
Pieces from *Squares* and *Chains* presented at A-Side / B-Side, St James Hacham, Goldsmiths College, 2023. Curation: [Eden Chahal](https://www.theimpossiblecities.com) and [Marisa Di Monda](https://www.marisadimonda.com/)
*Squares*, 2022-3. Constrained writing based on algorithmically generated word squares. Shell/Python & dedicated PyCairo renderer
[*Chains*](https://jeremiewenger.com/chains), 2022-3. Garlands of (mostly) cliché phrases & dedicated web reading interface. p5.js/JavaScript
*The Enchanted World of Omninas*, 2022-3. Framework for working with generalised sestinas. Python & dedicated PyCairo renderer
"sestin", sestina in homage to Arnaut Daniel
"albertine", Proustian starter 'tourniquenina' (septina)
"Doom and pain came...", rotating diagonal octina
[*p5.GPT: OpenAI's ChatGPT with p5.js*](https://github.com/jchwenger/p5.GPT), 2023. ChatGPT/p5.js/JavaScript
[*Machines Poétiques: Introducing textual systems through experimental French poetry*](https://github.com/jchwenger/machines.poetiques.goldsmiths.2023), 2023, Goldsmiths College, London. One-day computational poetry workshop with [Iris Colomb](https://iriscolomb.com/). ChatGPT/p5.js/JavaScript
[*Bilingual Lab*](https://www.beyondformcreativewriting.com/bilingual), 2022-23. Monthly online poetry course with [Iris Colomb](https://iriscolomb.com/), [Beyond Form Creative Writing](https://www.beyondformcreativewriting.com/)
[*Machines Poétiques: Transreading Twentieth-Century French Poetry*](https://poetryschool.com/product/machines-poetiques-transreading-twentieth-century-french-poetry-spring-2023/), 2022-23. Monthly online poetry course with [Iris Colomb](https://iriscolomb.com/), [The Poetry School](https://poetryschool.com/)
[*DIY Freud*](diy-freud), 2022. Automated therapist on the cheap, essay
*Art Projects*, 2022. "Comrade, what is your art project? – Hito Steyerl". Prose [unfinished]
*Les crimes hybrides? L'écrit m'y bride!*, 2022, Lausanne. Talk, The Quine Association
"le regret", 2022. Oulipian refutation of a well-known sonnet
*pas peu lunaire*, 2022. Homophonic variations on Apollinaire's "Chantre"
[*Machines Poétiques: Introducing textual systems through experimental French poetry*](https://github.com/jchwenger/machines.poetiques.goldsmiths.2022), 2022, Goldsmiths College, London. One-day computational poetry workshop with [Iris Colomb](https://iriscolomb.com/). p5.js/JavaScript
[*minGPT*](https://github.com/jchwenger/minGPT) fork, 2022. Byte-level, alphabet-agnostic tokenization & TPU/XLA integration & first steps towards in-training gradual generation, PyTorch/Python
*bridges*, 2022. A GPT-2 wrapper class & gephyrurge (bridge-maker) using forward and backward text generation, with [Pr. Clément Hongler](https://people.epfl.ch/clement.hongler). GPT-2/Tensorflow/Python
[*Départs*](departs), 2021. Prototype pour une pièce radiophonique à deux voix, avec des textes issus de réécritures de matériaux générés par des modèles de langue, utilisant l’architecture Transformer, (notamment, entre autres, le GPT-3 d’OpenAI). GPT-2/GPT-3/p5.js/JavaScript
*jsml*, 2021. Combinatorial homage to Jackson Mac Low. Python [unfinished]
*Alors seulement le rêve*, 2021. Textes neuraux utilisant des matériaux générés par des modèles de langue affinés pour le français. GPT-2
*Vegans*, 2021. Neural fiction: variations on one single prompt. GPT-2/GPT-J-6B
*Lacanage*, 2021. Neural texts using materials from a language model finetuned on Jacques Lacan and my own texts, with [Alan Cunningham](https://www.alanmcunningham.com/), supported by the [Arts Council of Northern Ireland](https://artscouncil-ni.org/). GPT-2
[*Kirjasto/Library*](ca-artificiel#kirjasto), 2021. Exhibition of *Artificial It* and *Artificial It ("to begin with...")* in Helsinki, Finland. Curation: [Jonni Korhonen](https://www.instagram.com/darkchildnana/)
*Inanimaux*, 2020. Textes neuraux utilisant des matériaux générés par des modèles de langue affinés pour le français. Shell/GPT-2
[*CHATBOT*](chatbot), 2020-1. Act and dialogue with a conversational agent-actor. A research project of the [Manufacture School of Drama](https://www.manufacture.ch) in Lausanne, Switzerland, supported by the [Swiss National Science Foundation](https://www.snf.ch/en), under the direction of [Nicolas Zlatoff](http://www.manufacture.ch/fr/1695/Nicolas-Zlatoff). Shell/BeautifulSoup/GPT-2/Python
[*exist digressively*](ca-artificiel/#text-type-light), 2020. Exhibited by [Text Type Light](https://www.instagram.com/p/CBIWD9NDxYA/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==) in Stockholm (Sweden)
[*Google TTS reads foreign texts with an unreasonably accurate accent*](google-tts), 2020. Casual mischief with Google's Text-To-Speech system. Python
*The Siamesor*, 2019. The breeding of Siamese words, aka werewords. Python & dedicated Processing renderer
[*Wordhoard*](https://github.com/jchwenger/wordhoard), 2019. Greedily hoarding words & wordhoards...
*A Scroll*, 2019. …written on a scroll found on the street…. Prose
[*Ça artificiel*](ca-artificiel), 2019, Lausanne (Switzerland). Exposition au [Cabanon](https://www.unil.ch/hart/fr/home/menuinst/etudiantes/associations/le-cabanon.html) dans le cadre du [Printemps de la Poésie](https://printempspoesie.lyricalvalley.org/)
*Ça artificiel (« pour commencer... »)*
*Ça artificiel (morceaux I-VIII)*
*L'écriture et son double (essai)*
*Ça artificiel (logismes)*
*Pastiches & mélanges*
[*Pastiches & mélanges*](pastiches), 2019. Génération automatique de textes grâce au deep learning. ml5.js/Python
*L'écriture et son double (essai)*, 2019. L'écriture à l'épreuve de la machine. Péritextes présentés à l'occasion de l'exposition Ça artificiel à Lausanne
*Writing and its Double (essay)*, 2019. Writing to the test of the machine: Peritexts presented during the exhibition *Ça artificiel* in Lausanne
*Ça artificiel (« pour commencer... »)*, 2019. Textes neuraux utilisant des matériaux générés par des réseaux 'doppelgänger', entraînés sur mes propres textes. LSTMs/Python
*Artificial It ("to begin with...")*, 2019. Neural texts using materials from 'doppelgänger' networks, trained on my own texts. LSTMs/Python
*Ça artificiel (morceaux I-VIII)*, 2019. Textes neuraux utilisant des matériaux de réseaux 'doppelgänger', entraînés sur mes propres textes. LSTMs/Python
*Artificial It (lumps I-VIII)*, 2019. Neural texts using materials from 'doppelgänger' networks, trained on my own texts. LSTMs/Python
*Ça artificiel (logismes)*, 2019. Traduction de *logisms*. Génération neurale de mots grâce à des modèles de langue avec tokenisation par caractère. LSTMs/Python
*Artificial It (logisms)*, 2019. Neural word generation using character-level language models. LSTMs/Python
*Death of a Research Engineer*, 2019. A jest after Chekhov. Prose
*Ça artificiel*, 2018. Textes neuraux utilisant des matériaux de réseaux 'doppelgänger', entraînés sur mes propres textes. LSTMs/Python
*Macau*, 2019. Prose
[Recursus](recursus.co), 2018, Goldsmiths Computational Arts MA final year show. Triptych of computational literature composed of WordSquares, Subwords and AIT
*AIT (Artificial It)*, 2018. Steps toward Neural Text Generation, using materials from 'doppelgänger' networks, trained on my own texts. LSTMs/Python [forthcoming publication in [gorse](http://gorse.ie/)]
*Squares* (formerly *Wordsquares*), 2018. Recursive foray into squares of letters as a poetic form. Python & dedicated Processing renderer
*Subwords*, 2018. Literary tools to work with subsequences of strings. Python & dedicated Processing renderer
*Laces*, 2018. Circular poetic word paths using the Levenshtein distance. Python & dedicated Processing renderer
*What do we know about Tessa K.?*, 2018. Prose
[*Euclideas*](euclideas), 2018. Several small rhythmic pieces in the form of Max patches, functioning as ‘perpetua mobilia’ that can be turned on to produce a variable, but ultimately cyclical and indefinite stream of beats. Max/MSP
[*Computational Thoughts*](computational-thoughts), 2017-8. An archive of posts written in the context of the Master’s in Computational Arts at Goldsmiths College, University of London, academic year 2017-2018
[*Monodrian*](https://openprocessing.org/user/101600), 2017. A series of Processing sketches in homage to Mondrian. Processing
[*Ideas*](ideas), 2017. A list of ideas and suggestions presented as part of my submission for the Master’s in Computational Arts at Goldsmiths College, London
[*Tomorrow Is the Past of Some Distant future*](https://www.youtube.com/watch?v=tz0mFZKtlfw), 2017-8. Texts for a music piece by [Davor Branimir Vincze](https://www.db-vincze.com/)
*Six Poems*, 2017.
*Essay*, 2017. Prose
*Neovalis*, 2017. Texts with and around Novalis' *Hymns to the Night*, [Novalis Festival](https://www.instagram.com/novalisfestival/?hl=en-gb), Croatia
*Sandra K. wakes up...*, 2017. Fiction
*Situs Vetus*, 2017. [Tumblr](https://s-i-t-u-s.tumblr.com) and [Twitter](https://twitter.com/situsvetus)
*Inflected Points*, 2017. Texts for a music piece by [Davor Branimir Vincze](https://www.db-vincze.com/)
*An Essay on London*, 2016-17. Prose
*Solids*, 2016. Plato meets perversion, constrained texts based on Platonic solids, with composer Remmy Canedo [unfinished]
*Four Poems*, 2016.
[*A short electroacoustic essay of autobiographical nature regarding music and unrelated matters*](http://cargocollective.com/kammerklang/8-March), 2016, London. Texts for a music piece by [Davor Branimir Vincze](https://www.db-vincze.com/), [Kammer Klang](https://www.kammerklang.co.uk/)/[Cafe Oto](https://www.cafeoto.co.uk/)
*Sleep Wars*, 2016. Essay
*A Scholar*, 2016. Fiction
*It VI*, 2015-2017.
more
narrative
statuses
words
*It V*, 2015.
diary
gifs
iteas
magma
metamagma
paramagma
quotes
words
[*Explosure*](https://e-x-p-l-o-s-u-r-e.tumblr.com/) / [*Preexplosure*](https://p-r-e-e-x-p-l-o-s-u-r-e.tumblr.com/), 2015, Frankfurt. Constrained, letter-based textual complex produced at the invitation of [Jagoda Szmytka](http://www.jagodaszmytka.com/jagoda_szmytka.html) for [Play night](http://www.playplattform.com/games_explosure.html). Installation, GIFs & Tumblr blogs
*EUHOQ*, 2015. Constrained Duchampian texts for a music piece by [Davor Branimir Vincze](https://www.db-vincze.com/)
*Londoners*, 2015. Fiction
*« Les Ailleurs de Pierre Jodlowski. Festival les Amplitudes 2015 »*, 2015. disssonance 131.
*It IV*, 2014-5.
criticism & study
lifestyle
magma
method & idea
more unvague
narrate
quotes
scenarios
some say
voices
words
words-under
*It III*, 2013-14.
diary
itted (plus quotes)
something else (almost unvague)
uncategorized
word-, namefuck
words (logorhythm (logosis))
[*Map Manifesto*](https://mapmanifesto.wordpress.com/), 2013. A poetic reading of underground maps. WordPress site
*It II*, 2012-3.
readymades
real void
ruins
storying
text machine
translations and readings
voice machine
*ALP texts*, 2012. Four chords or chord structures on a theme by ALP
"Deleuzian Tetradecasyllabic (hence Square) Sonnet, *for C.P.*", 2012.
"switzerland", 2012. Poem
*Eight Texts Opus 1*, 2012. Poetry
The Ruin
Geneva Lake
Reading
Tryptich on idleness
Why Ezra Vanity
Houellebecq
An answer to Campos
And now that my venom
*It I*, 2012-3. [revisions 2014-15]
wall system
[*Opus*](opus.wordpress.com), 2009-16. Former abode of *It*. WordPress site
« Lieux de la quête. Composer, penser, depuis Royaumont en 2011 », 2012. [*dissonance*](https://dissonance.ch/) 118.
« Désirs du commentaire dans le Séminaire VIII, Le transfert, de Jacques Lacan. Essai de théorisation », 2012. In François Félix and Philippe Grosos (dir.), *Érotisme biblique, érotisme païen : lecture du Cantique
des Cantiques et du Banquet de Platon*, Lausanne, L’Âge d’homme.
« Miroirs – de l’écoute. Correspondance autour du canon musical aujourd’hui », 2012. In collaboration with Dragos Tara, [*dissonance*](https://dissonance.ch/) 119.
« Lieux de la quête. Composer, penser, depuis Royaumont », 2012. [*dissonance*](https://dissonance.ch/) 118.
« Miroirs – électro-acoustiques. Petit essai épistolaire romand sur des questions de composition contemporaine », 2011. in collaboration with Dragos Tara, [*dissonance*](https://dissonance.ch/) 115.
« La Fin Justifie-t-elle les Moyens ? A Derridean Halt in Harris’ Long Walk », 2011. in collaboration with Noël Christe, in *Language Sciences*, Volume 33/4, Bade, David & pablé, Adrian (eds.), « Linguistics Out of Bounds : Explorations in Integrational Linguistics in Honour of Roy Harris on his 80th Birthday ».
« Of Fig and Foes : A Short Reflection on Roy Harris Intellectual’s Stance », 2011. In collaboration with Noël Christe, *Language Sciences*, Volume 33/4. Bade, David & Pablé, Adrian (eds.) « Linguistics out of bounds : Explorations in Integrational Linguistics in Honour of Roy Harris on his 80th birthday ».
*« Tentations de la clarté. Auprès de Reflecting Black de William Blank »*, 2010. [*dissonance*](https://dissonance.ch/) 110.
"Bookself", 2010. Poem
"All / Saw / Damaskèd You", 2009. Poem, *Muse* 2, Université de Lausanne
[*Old Old Words*](https://jchwenger.wordpress.com/), 2007-11. Old old words of mine. WordPress site
*Sept textes pour rien*, 2004
I. "Ainsi le cri renouvelé"
II. "Aux douces rondeurs chevalines"
III. "Retournons à tant d’inutiles gargarismes"
IV. "Pornographie"
V. "Fatigues"
VI. "La lune tapisse mes yeux"
VII. "La nuit me fait peur le passage"
*Opus 1*, 2003-04. [unfinished]
Écriture
Expérience
Relations
*Dérive*, 2002. Fiction
*Traces*, 2000. Fiction